This brush set is the result of a collaboration between Borciani e Bonazzi and the artist Giovanni Balzarani. It features a selection of precise, professional synthetic brushes designed to support a range of detailed techniques in hyperrealism.
The kit includes:
Round Masking Brush - Size 4
Ideal for applying masking fluid, particularly during initial painting stages.
The Fibre:
Crafted with green synthetic fibers, this brush combines elasticity with softness, providing a balanced release of water. Suitable for watercolor, acrylic, gouache, and glazing in oil painting, it also excels in fluid color decoration. The round tip delivers smooth, defined strokes and precise detailing when the tip is used.
Round Glazing Brush - Size 5
Primarily used for creating veils and glazes.
The Fibre:
This advanced synthetic fiber mimics the properties of Kolinsky Sable hair, offering enhanced elasticity and durability. The two-wave fiber mix, with varied diameters, ensures:
- Superior tip control
- Optimal absorbency
- Excellent shape retention
Round Fine Detail Brush - Size 0
Perfect for painting intricate details.
The Fibre:
The dark red-violet synthetic fibers are highly elastic and resilient, making this brush ideal for precision work with water-based colors, inks, Indian ink, gouache, and enamels. Its strong elasticity provides precise, controlled brushstrokes.
Flat Micro Brush - Size 0
Designed for painting fine details, particularly in urban landscape scenes.
The Fibre:
Engineered with a dual-fiber mix that emulates Kolinsky Sable hair while offering improved elasticity and durability. The two-wave fibers, varied in diameter and taper, ensure:
- Superior tip control
- Seamless absorbency
- Consistent shape recovery
Ergonomic Brush Handle
An ergonomic handle with a textured grip to prevent strain during extended painting sessions. This design adapts to the natural hand grip, filling the space between the index finger and thumb for a secure, comfortable hold. By reducing the pressure on tendons, this handle minimizes fatigue and discomfort during long painting periods.